
Introduction
http://www.accessproject.net/Name: Access
Artist: Marie Sester
Time: 2003
Place has been shown:
- Z33 - House for Contemporary ArtHasselt, BelgiumNovember 8 - 25, 2011
- San Francisco Museum of Modern Art (SFMOMA) San Francisco, California, USA October 30, 2010 - April 17, 2011
- GLOW Eindhoven, NetherlandsNovember 6-19, 2009
- And more
According to
Sester in his Access project website, “ACCESS is a public art
installation that applies web, computer, sound and lighting technologies, in
which web users track individuals in public spaces with a unique robotic
spotlight and acoustic beam system.” (Marie Sester, http://www.accessproject.net/concept, 20/10/2013 )
Web users can
track some strangers who passed under the system through internet. Once the target is chosen, there
is a robotic spotlight following him no matter where he goes. Howerever, the tracked one does not know who tracked him and why he is tracked target. Also the tracked person hears a sound over
acoustic beam system whereas he does not know he is the only one who hears the
sound among public. The sound, like audios of “Move
forwards,” ”turn around” stems from web users but they do not know that. ACCESS,
which was created
by Marie Sester in 2003, travelled around the world as a short period of event in each city including
Netherlands, USA, Belgium, etc.
While the system traveled one city to the other, Sester did not announce the
location where
they were going to hold the event in advance until they start the next event.
The interesting part of the work here is there
seems to be interaction among them as they both give responses whereas to some
extent they do not have. Sester said, "In effect, both the tracker and
the tracked are in a paradoxical communication loop." (Marie Sester, http://www.accessproject.net/concept, 20/10/2013) At the beginning, a web user randomly chooses a
target. When a person is tracked, he would choose either try to escape or stay under
the spotlight as his response. Web users could also receive his response through
the video on the website. If the tracked one ran, the tracker, namely the spotlight,
also followed him which can be seen as a kind of response to the tracked
person. From this perspective, ACCESS can form a communication loop for trackers
and the tracked individuals. However, the tracked person did not know the
existence of the web users and the action of tracking is not done by web user
but the control tool. Therefore, in context, this communication loop seems to
be valid because of the lack of dialogue among both trackers and tracked
individuals.
We can see many features from ACCESS that match
network digital art. Firstly, the work provides a uniform instruction for
audience to experience. Web users only can control the spotlight through the
website and internet, and the tracked ones can only be the one among public on the
designated area. It makes sure audience could have feelings from a same way. The system has the same effect and same method, but gives a
room for audience to think about the issue that the artist raises.
Besides, audience participation was also considered in the work. In this
work, audiences have two rules to act. They can be either tracker or tracked
persons. Trackers have the right to choose the target to be tracked, while
tracked person as a passive character to be followed by a spotlight. During the
process, audience could get the feeling of the position that they situated. For
example, tracked people can have feeling of being under surveillance, while
trackers may enjoy watching whole process through the videos.
ACCESS also
includes randomization in the process. On the one hand, web users randomly
choose a stranger appearing on the designated public area as well as those web
users are also non-selected people from internet. On the other hand, like DaDa,
network digital art also cover chance to express their art. Audience can think
comprehensively and differently beyond the outlook of the work of art. The randomization
of ACCESS gives audience a wide range
space to explore the thought aroused from the activity. For instance, spotlight on
people could be a kind of stage effect that let people perform or attract others.
People participating in ACCESS are
free to do and think by the feature of randomization.
Moreover, the other feature of the work is the
concept rather than the art object. This system includes lots of modern technologies
like spotlight and sound system, video and internet, etc which only play rules
of function in this project but not in the aesthetic perspective. Meanwhile,
the artist Sester intentionally make the work similar to surveillance systems.
It is obvious that he want us to focus on the concept of surveillance. "In an age”, according to D'Alleva, “where surveillance
technologies are increasingly part of everyday life,
ACCESS worked to denaturalize them and make them obvious."( D'Alleva, 2006) Sester indeed focuses on the concept a lot on
ACCESS and hopes that audience can think of the impact of surveillance and
other issue of the society through the participation of the work.
As in ACCESS,
the concepts are concentrated more than the art object. In the following
paragraph, concepts are shown. According to Seseter, "The
content of ACCESS calls for awareness of the implications of
surveillance, detection, celebrity, and their impact on society." (Marie Sester, http://www.accessproject.net/concept.html) Sester
implied a big issue of surveillance and other relevant topic into the work. In ACCESS,
tracked people represent the one who is observed on the public places by
different systems such as security surveillance system that records everyone on
the public, while trackers represent the one who observe those specific objects
on the public space without any permission of them. So in terms of surveillance, we can
have different experience and thoughts on
the work, such as the influence of surveillance to our life. For ACCESS,
people may be involuntarily watched under the spotlight or feeling stressed
when staying in the spotlight. In reality, it plays the
same effect. Take
celebrities as example, those paparazzi who keep tracking celebrities, always
post many celebrities' news which in fact bring many trouble to celebrity, like they become very sensitive to surrounding environment and even make
them cannot have their normal life.
Besides, surveillance also implies
another topic relevant to our privacy. Once people became tracked targets,
everything about them including their location, what they behave, what they
wear that that day etc. will be all exposed to the public without their
permission. Nowadays, there are many security surveillance systems in public areas
such supermarkets, shopping mall, lifts, schools, MTR. It suggests that
surveillance has gradually entered to people's life as well as our privacy. What we all do individually or privately are all recorded by some
strangers no matter where we go.
ACCESS also creates networks in some ways, "....Sester's
intention with this work is partly to explore and raise awareness of the
politics and implications of surveillance systems through
connecting the actions of an anonymous group of web users to a public unaware
they are being seen....". (Christa S, Laurent M, Dorothée K, 2008) Although we see there are not much communication in between among them, web users and strangers
among the public did participate in this activity. Also, when web users
are using this systems, they are aware of that place of people, so somehow
ACCESS also help to make connection with web users and people in remote areas.
When applying to surveillance, we actually see the same effect there.
Like what Lovejoy said before, "The interaction in this work was both controlled and
voluntary, as some people attempted to evade the light while others basked in
the public attention it brought them." (Margot L, Christiane
P, Viktorija V, Vtoria V, 2011) There are
many possibilities reacting to being kept under surveillance. From Sester’s website, he also mentioned that "the structure of
ACCESS is intentionally ambiguous, revealing the obsession/fascination for
control, visibility, and vigilance: scary or fun." (Marie Sester, http://www.accessproject.net/concept.html, 23/11/2013) Those unknown
surveillance can be a unknown scary making you feel worried about what
those surveillance do with you or uncomfortable to be watched, while some may
even enjoy being focused. So there is an ambiguous concept here that Sester did
not want to clarify or he wanted audience to explore from his work. This
interaction in the work depends on how people think towards surveillance.
Under surveillance, the tracked people
cannot escape from the eyes of web users that mean they
cannot get out of the spot light no matter how fast they run, no matter where
they go. Trackers may have fun with this as they seem to be able to make those
tracked people under control. However, actually the final controller is
not web users, but the designers. I think to some extent, things are under
control in his program and calculation with same format of the system.For those
tracked people, they can recognize through the spotlight that they are focused.
At the same time, they would also question about what the spotlight was going
to do then -- would it make scary or fun? It turns out
to be a unpredictable of surprise or
To conclude, surveillance can be dangerous or safe to people, especially nowadays we have so many
surveillance technologies around us, even some government also use such tool to
observe citizens’ behaviors. It could be somehow good for saving crimes, whereas abuses of it may influence people’s right of owning freedom.
Therefore, To conclude, surveillance can be dangerous or safe to people, especially nowadays we have so many
surveillance technologies around us, even some government also use such tool to
observe citizens’ behaviors. It could be somehow good for saving crimes, but on
the other hand, buses of it may influence people’s right of owning freedom.
Therefore, as Lyon said, "we could not generally said something about surveillance as it
depends on the situation and extent that it achieves." We can say that we could not completely ban or accept the existence of surveillance but instead to understand the real meaning behind each situation, in order to well use them.
Interesting Question:
In terms of the disconnection among the identification of people either tracking or being tracked, is this still a net art?
Reference:
-Anne D'Alleva, How To Write Art
History, Laurence King
Publishing, 2006, 44.
-Christa Sommerer, Laurent Mignonneau, Dorothée King .Interface cultures: artistic aspects of interaction, Transcript-Verlag (September 5, 2008), 232
-Margot Lovejoy, Christiane Paul, Viktorija Vesna Bulajić, Victoria Vesna , Context Providers: Conditions of Meaning in Media Arts,21, 43
-David Lyon, The Electronic Eye: The Rise of Surveillance Society, U of Minnesota Press, 1994. 270

